Aboriginal to Nowhere
New Poems by
Published August 2016
AUTHOR: Brentley Frazer
IMPRINT: HeadworX Poetry Series
COPYRIGHT: Brentley Frazer
EXTENT: 90 pages
BINDING: Perfect Bound Paperback
RRP: $19.95 AUD + $5.00 AUD Postage (Global)
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Brentley Frazer’s poetry is making it new again and in an exciting way, his lines crackle with the energy of a great technician who has something important to say, this book will make waves and many friends. ~ Robert Adamson
Brentley Frazer’s syntax is a live wire running through poems of experience, wild imagination and considered calm. Light the blue touch paper, but do not stand clear. Full immersion is essential. ~ Anthony Lawrence
Brentley Frazer’s language is electric, ornate, oddly formed and brilliant, poignant, sometimes surreal images and passages abound. The longer poems have a mixture of sharp, even dazzling writing. The vocabulary is massive, events and situations are charged, and the voice of the poet compelling. These collected meditations rip apart what we image to be ‘order’ . . . Frazer performs his trademark linguistic magic, penetrating everything from personal trauma to world order. In his hand, little is left unnoticed or forgotten by the poet, who has about him both the dreamer and the theorist, whose keen eye infiltrates everything it sees. ~ Takahē Magazine http://brentley.com/review-of-aboriginal-to-nowhere-new-poems/
Aboriginal to Nowhere is a love-letter to a world that ultimately rejects its people. It is a celebration of grunge, and a roll call of those things that are lame, cast-off, defunct and unlovable. It is about people divorced from the places they inhabit, and people who are disorientated in their own homes. Like those Talking Heads lyrics, ‘And you may tell yourself / this is not my beautiful house’, its people are bewildered. It also speaks to the profound loneliness ‘of the post-modern dispossessed’, the sort of grubby solitude that finds itself in a throng queuing for the Portaloos.
Frazer’s poems find beauty in the brokenness of things. Like Kintsugi, the Japanese practice of repairing fractured pottery with gold, Frazer conjures rich images from the ‘buckets of colonial rubbish’. While much of his poetry is sprawling and untethered, there are hushed moments:
‘The sky bruised over
slate roofs, the wind
moaning through louvres
leaves brown as coffee
Most of his verse has a sort of musical harangue feel to it. The first poetic set, Aboriginal to Nowhere – Song Cycle of the Post Modern Dispossessed, pairs the technological and the ecological, through anxious reflections about man-made worlds and the alienation they can create. Frazer’s characters are watched by CCTVs and crows. They chart a course through a shifting Australia, one where ‘The indigenous goddess exits / stage left’ and people ‘bulldoze dream time for a freeway’. It is a rousing, rambling, and often irreverent, address to the nation. ‘Are you my mother, Australia?’ his speaker asks. The Australia that we find in the poems is more insouciant parent than maternal presence. And yet there are images, beyond the ‘broken hopes’, ‘generational displacement’ and ‘collapsed footpaths’, a sort of nostalgia for an Australia that may never have existed.
Aboriginal to Nowhere explores existential themes. Freewill and determinism wrangle in the cityscape. ‘Man, I didn’t get a choice where my consciousness / landed’. Cultural appropriation is prised open, xenophobia explored. There are questions of meaning in a world where the ‘Eternal Being’ is ‘an angry cynic’. ‘I don’t know what I am doing here’, the speaker exclaims. People depersonalise, aliens in their own skin. ‘Most days I feel like an actor ‘. And in a nod to Plato:
‘You are a piece of nothing,
shadows on the factory wall’
Frazer invites life’s dissonances to the table. Sometimes ‘the music and the lyrics / don’t match the visuals’. He entertains a ‘happy drowning feeling’. In all of this he steps lightly, capering around concepts, toying with the reader’s ability to hold two contrary ideas in mind.
Mostly, though, Aboriginal to Nowhere is about people – all sorts of folk. We meet hipsters and junkies, the mentally ill, beer guzzlers, strippers, rednecks, millennials, academics, immigrants, city slickers and farmers. Frazer’s is a world populated and full of noise, but ultimately nobody’s.
This is a thoughtful and fierce collection. Frazer is a visionary at a time when humanity risks losing touch with its core animality, and the real-world places in which it finds itself.
Reviewed by Elizabeth Morton
Aboriginal to Nowhere
by Brentley Frazer
Published by HeadworX