Tag Archives: Poetry

Blog Poetry

Broadsheet – New New Zealand Poetry Issue 14

b14coverBroadsheet – New New Zealand Poetry [print – online .pdf] Issue 14 November 2014 ISSN 1178-7808  ~ Two Poems  Purple Vertigo | Cigarettes and Tending Orchids

The latest issue of broadsheet, no.14, November 2014, features the distinguished New Zealand poet Michael Harlow, who has recently read at world poetry festivals in Romania and Nicaragua. In 2014, Harlow published his selected poems Sweeping the Courtyard and a collection of love poems Heart absolutely I can.

The issue of broadsheet is the first journal to feature his prose poetry in New Zealand.

The prose poems are from a work in progress that Harlow is writing. Of these poems, Harlow writes: ‘they are best described as very short prose texts (rather like the French récit—I resist the “flash fiction” definition/category). Closest thing we have to it here is the prose-poem, and I’m happy with that. I like to think of the poème en prose, these texts as an example of the “prose that’s in poetry”—following on from the great Greek poet Seferis, who once remarked words to the effect that “I wish our poets would write poems with more of what our best prose writers have…” Or something like that. Thus far, I’ve only published a few of them in bilingual, translation form, English and Spanish, in overseas journals.’

Others included are: Michael Duffett (USA/UK), award-winning poet Brian Turner, P V Reeves, Laura Solomon, MaryJane Thomson, Nicholas Reid, Edward Sakowski (translated from the Polish by Robert Zuch), Riemke Ensing, Noeline Gannaway, Cameron La Follette (USA), Brentley Frazer (Australia), Michael Walker, Pat White and Mark Young.



Blog Poetry

LiNQ, Literature in North Queensland

untitledLiNQ, Literature in North Queensland, [print] December no. 38 2011 Published by the Department of Humanities, School of Arts and Social Sciences, James Cook University ISSN 0817-458X Two Poems ~ Irukandji Sails | A Cacophony of Grey

As we go to press, generation 2.0 takes to the streets in protest against failing governments, economies, and systems. We are witnesses to graphic accounts of civil unrest in places like Tunisia, Algeria and Egypt. Once, news bulletins were controlled by mainstream media and overbearing governments. But nowadays, the bloodshed is immortalised by amateur journalists, albeit often unsteadily framed and out of focus, but graphically real on mobile phones. Streamed on 24-hour mainstream news services, these videos are prefaced by, ‘We can’t vouch for the validity of this footage…but here it is’. Fact morphs into fiction as we struggle to make sense of the world. Iconic news images, like the bloodied corpse of Muammar Gaddafi ’s capture hands holding half a dozen smartphones whose faceless owners are recording, with their professional colleagues, a rough draft of history. Everywhere, the custodians of knowledge are under threat. The mainstream media model is collapsing as well as the rarefied world of the book publisher, who helplessly watches readers fervently embrace the electronic world of books. In the last three years, there has been an explosion in ebook reading on smart phones. So much so write Lachlan Jobbins and Angelo Loukakis on the Australian Society of Authors guide to Digital Self-Publishing, that 2011 may well prove the transition point from print to digital publishing. No longer, they say, will digital publishing be ‘the exotic’ extra. And tellingly, they warn that elements of the future have arrived more quickly than the book industry might have anticipated or predicted.


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